Assiniboia Gallery presents “The Small Works Show” from December 3 - 23, 2025.

Dandelion Art Framing & Gallery is pleased to present “Petite and Precious”, an art exhibition that showcases miniature artworks by various gallery artists.

Hansen-Ross House will be hosting their annual Christmas Open House on Friday November 21 and Saturday, November 22 from 10:00 a.m. - 4:00 p.m., with cider and Christmas cookies on Saturday from 11:00 a.m. - 3:00 p.m.

“Small Wonders” opens November 20 and runs until November 22 at Dervilia art + design. This brief exhibition will showcase the very best in small artwork, and on Thursday from 7:00 p.m. - 9:00 p.m. there will be live piano performance by Jesse Brown.

Black Spruce Gallery’s annual exhibition “Deck These Walls” opens November 12 and runs until December 24, 2025. This exhibition features over 60+ Artists. There are various genres and mediums to choose from. You are sure to find the perfect gift for those you love during this holiday season.

Please join Hand Wave Gallery on Sunday, November 23, from 2:00 p.m. – 4:30 p.m. for the Opening Reception of “Connections,” a multi-artist exhibition of multi media artworks.

Dandelion Art Framing & Gallery is pleased to present “It’s All in the Details”, an art exhibition that showcases the work Michael J. Martin, Marjorie Verleun, and Don Schoenfeld. This exhibition opens November 7 and runs until the 22, with receptions on November 7 & 8.

Art Placement is pleased to present TEXT/URE, a solo exhibition of new work by Saskatoon-based painter Steph Krawchuk. This is Krawchuk’s third solo exhibition with the gallery and her most formally expansive to date. In TEXT/URE, Krawchuk brings together a new body of paintings that speak softly but insistently — in the language of form, in the rhythm of space, in the half-remembered murmur of text fragments. These are not works that tell you what to see; instead, they ask you to look more slowly, to read not for content but for cadence.

Krawchuk’s practice has long explored the vocabulary of abstraction — line, shape, colour, and surface — but in TEXT/URE, that language ventures into new terrain. Letterforms, glyphs, symbols, and shapes appear across several works, offering traces of language that hover between legibility and abstraction. These marks evoke the presence of writing without ever becoming fully readable, functioning instead as visual texture — or text-ure.

Alongside this shift, Krawchuk reimagines how paintings inhabit space. The paintings gather into groupings, constellations of forms and relationships. They lean into each other, echo one another, create pauses and continuities. This is painting not as isolated artifact, but as installation — a choreography of parts across walls, where the space between works is as charged as the works themselves. Rather than treating each painting as an isolated statement, Krawchuk invites viewers to encounter them as fragments in dialogue — where proximity, repetition, and rhythm become central to how meaning is built.

Her characteristic restraint remains: muted colour palettes, simple forms, and finely-tuned surfaces that balance control with spontaneity. Each canvas reveals a slow accumulation of decisions — painted, erased, reworked — where even the subtlest gesture carries weight. Despite their restraint these paintings are alive with tension. Edges fray. Colours push and pull. Shapes settle uneasily, then hold. The surface becomes a site of negotiation between intention and accident, silence and statement, control and the pleasure of letting go.

In TEXT/URE, the act of looking becomes a form of reading. But what we read is not a narrative — it is a mood, a structure, a possibility. A whisper of form that speaks, not in sentences, but in the spaces between them. TEXT/URE is a meditation on how abstraction communicates — not through narrative, but through rhythm, structure, and resonance. It is an exhibition that rewards close looking, and where the spaces between works are as alive as the works themselves.

The multi-artist exhibition “Colour” opens October 23, and runs until December 20, 2025 at Dervilia art + design.

Opening Receptions: Thursday, October 23 from 6:30 p.m. – 9:30 p.m. and Saturday October 25 from 1:00 p.m. - 4:00 p.m.

The exhibition “Pondering” opens this Thursday, October 16, with a reception from 5:30 p.m. – 7:30 p.m., at Slate Fine Art Gallery. This exhibition features Marsha Kennedy’s paintings, and will run until November 15th.

Traditions Hand Craft Gallery is proud to present Deborah Porrter’s exhibition "In Flux”, which features Potter’s latest ceramic sculptures, and will run until November 8, 2025.

“Introducing Eileen Murray” opens today at Assiniboia Gallery, and runs until October 31. Murray’s paintings are bold and sophisticated as well as delightfully quirky. They are colourful, vibrant, and play with patterns, landscapes, and still lifes.

Black Spruce Gallery’s exhibition “Back to Nature” is on now until November 10. This exhibition features several artists working in various genres and mediums.

Please join Hand Wave Gallery on Sunday, September 28, from 2:00 p.m. – 4:30 p.m. for the Opening Reception for Jamie Russell’s new exhibition of carved wood sculptures: “Odds and Sods.”

The multi-artist exhibition “M.A.D Work (Making Artistic Discoveries)” is on at Dandelion Art Framing & Gallery until October 1. This exhibition features the artwork of JingLu Zhao, Arbie Kepler, and Olivia Maney.

Art Placement is delighted to present BUILDING COLOUR, an exhibition of new abstract paintings and constructions by celebrated Saskatchewan artist, Robert Christie. After nearly six decades of dedicated work, Christie has established himself as a pillar of prairie abstraction. Carrying on the formalist tradition, his unique style balances reduced minimalism with a complex richness and handmade character.

Reception: Saturday, September 13, 2:00 p.m. - 4:00 p.m.

Opening Reception: Thursday, May 1, 5:30PM - 7:30PM

In this new show, each artist presents a pair of works, one vertical, one horizontal, where the scale is at least doubled in one direction. It’s a fun play on size, shape, and perspective that will have you looking this way… and that way.

The multi-artist exhibition “Portraiture: No ordinatry walls will do!” opens August 21, and runs until October 10, 2025 at Dervilia art + design.

Opening Receptions: Thursday, August 21 from 6:30 p.m. – 9:30 p.m., and Saturday August 23 from 1:00 p.m. - 4:00 p.m.

Please join Hand Wave Gallery on Sunday, August 10, from 2:00 p.m. – 4:30 p.m. for the Opening Reception for Mary Romanuck & Jim Gerlinsky new exhibition of prints, drawings, and metal sculptures, “Fauna and Flora and Forged”.

The Gallery / art placement inc. is pleased to present “After Hours”, a revival of their summer staff exhibition, which was last presented more than a decade ago. This exhibition features artwork by their hardworking staff of artists including current and past employees.

Featuring work by The Gallery / art placement inc.’s hardworking staff of artists including Jordan Bidyk, Melodie Briand, Jordan Danchilla, Jacqueline McDonald, Levi Nicholat, Karen Polowick, Sonja Poth, Donald Roach, and Leif Shantz. They are also delighted to include works by Breanne Bandur, Molly Cooper-Smith, Nguyen Tran, and Emily Zdunich, artists who worked at art placement within the last decade but did not have a chance to take part in a staff exhibition before moving on to their next employment opportunities.

Reception: Friday August 8, 5:00 p.m. – 7:00 p.m.