Art Placement is delighted to present BUILDING COLOUR, an exhibition of new abstract paintings and constructions by celebrated Saskatchewan artist, Robert Christie. After nearly six decades of dedicated work, Christie has established himself as a pillar of prairie abstraction. Carrying on the formalist tradition, his unique style balances reduced minimalism with a complex richness and handmade character.

Reception: Saturday, September 13, 2:00 p.m. - 4:00 p.m.

The Gallery / art placement inc. is pleased to present “After Hours”, a revival of their summer staff exhibition, which was last presented more than a decade ago. This exhibition features artwork by their hardworking staff of artists including current and past employees.

Featuring work by The Gallery / art placement inc.’s hardworking staff of artists including Jordan Bidyk, Melodie Briand, Jordan Danchilla, Jacqueline McDonald, Levi Nicholat, Karen Polowick, Sonja Poth, Donald Roach, and Leif Shantz. They are also delighted to include works by Breanne Bandur, Molly Cooper-Smith, Nguyen Tran, and Emily Zdunich, artists who worked at art placement within the last decade but did not have a chance to take part in a staff exhibition before moving on to their next employment opportunities.

Reception: Friday August 8, 5:00 p.m. – 7:00 p.m.

Art Placement is delighted to present “Ineffable”, an exhibition of recent works by Gabriela García-Luna from July 2 – August 2, 2025. Garcia-Luna’s decades-long career is primarily in the realm of photography, in which she blends digital and analog approaches, in combination with drawing, printmaking, video, and installation.

Summer in Saskatchewan is a beautiful time of year filled with bright pops of colour. Stop by the gallery during the month of July to enjoy a group exhibition inspired by the palette of the season. Featuring new and recent works by a selection of gallery artists.

Art Placement is pleased to once again partner with Spark Your Pride to present a group exhibition of LGBTQIA2S+ artists from the Saskatoon community during Pride Week. With almost 100 original works of art by more than 30 artists, the variety of styles and mediums in the exhibition offers a glimpse at the diversity of work produced by LGBTQIA2S+ artists in the city. Featuring new and recent works by Abraham Galman, Adam Buchko, Aldeneil Española Jr., Alejandro Romero, Andrew Schaan, Azby Whitecalf, Belinda Betker, Carey Shaw, Charles, Charlotte Rochon, Coral Sawatsky, Dane Moore, Dave Heinrichs, Douglas Wilson (courtesy of the Estate of Peter McGehee), Evan Rystrom, Finn Sinclair, Jasper Ausfresser, Jean Dudley, Jo Van Young, John Graham, Jonathon Burnett, Joseph Anderson, Laura St.Pierre, Leif Shantz, Levi Mathew, Nancy Lowry, Qiming Sezava Sun, Rebecca La Marre, Renée Gavigan, Shane Junop, Steph Krawchuk, Susan Shantz, and tessera nova.

The exhibition is on view from June 17 - 28, gallery hours are Tuesday through Saturday from 10 AM - 5PM. Following the Pride Parade on Sunday June 22, we invite you to join us for an informal reception from 2 - 4 PM. Many of the exhibiting artists will be in attendance. Light snacks and non-alcoholic refreshments will be available free of charge.

The “Spring Group Show” opens May 10th in the main gallery at Art Placement. Highlighted in this exhibition are new works and recent arrivals by Douglas Bentham, Kathy Bradshaw, Heather Cline, Lorenzo Dupuis, Jane Harington, Jodi Miller, Rob O’Flanagan, and Alicia Popoff.

Opening Reception: Saturday, May 10 from 2:00 p.m. – 4:00 p.m.

Art Placement is excited to announce Heather Cline's latest exhibition at the gallery, EDGES, which continues her explorations and observations of the prairie landscape from the air.

Opening reception: Saturday, March 29, 2:00 - 4:00 p.m.

Art Placement is delighted to present the two-person exhibition, CUDDLES, which brings together the work of Joseph Anderson and Shanell Papp, two prairie artists who have connected through shared geographies, academic paths, and overlapping artistic and material interests. Anderson works primarily in illustration, watercolour, and soft sculpture; Papp focuses on photography, drawing, and sculpture that incorporates a variety of textile practices. Both artists strike a balance in their work between the whimsical and the macabre; a seemingly lighthearted playfulness that masks an underlying darkness and horror.

Joseph Anderson's work explores themes around identity, the body, sexuality, horror, and the grotesque, often evoking the tropes and conventions of fairy tales and story-book illustrations.

Shanell Papp maintains a labour intensive art practice, working in textiles, sculpture, photography, and drawing, creating work that blurs and redefines the boundaries between Textile Craft and Fine Art. At times grotesque, horrific and other times painfully funny, Papp’s work mesmerizes with its charming laboured oddness

Written by The Gallery / art placement inc.

New arrivals for a New Year! Art Placement is pleased to present a group exhibition for the first weeks of 2025, showcasing the quality and variety of their gallery artists. The focus is on some new arrivals, including unique photo-based works by Gabriela Garcia-Luna and collage-inspired paintings by Rob O'Flanagan.

Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving. Featuring a variety of mediums, subjects, and styles by our varied roster of gallery artists. Stop by the gallery during our regular hours to take in all of the little treasures, or view the installation images online.

(*Written by The Gallery / art placement inc.)

Art Placement is delighted to present the “Landscape Show”, a showcase of the many exceptional landscape painters represented by the gallery, each with their own unique style and approach to the subject.

Stop in to view new and recent works by Kathy Bradshaw, Heather Cline, Louise Cook, Terry Fenton, Kelly Goerzen, Greg Hardy, Jane Harington, Clint Hunker, Nancy Lowry, Catherine Perehudoff, Rebecca Perehudoff, and Ian Rawlinson, alongside a selection of historical works by Reta Cowley, Dorothy Knowles, and Lorna Russell..

(*Written by The Gallery / art placement inc.)

The Gallery / art placement inc. is delighted to present a group show, “AB(stract) EX(hibition)”, featuring several of the many gallery artists also working in the fields of abstraction and non-objective art. Enjoy the variety of styles and approaches, with each artist offering their own unique perspective. Including new and recent works by Douglas Bentham, Robert Christie, Jordan Danchilla, Lorenzo Dupuis, Lynne Graham, Steph Krawchuk, Sandra Ledingham, and Mel Malkin, as well as a selection of historical works by famed Saskatchewan colour-field painter William Perehudoff.

At once minimal and painterly, loose and controlled, geometric and gestural, the works demonstrate Forrest's unique aesthetic sensibility and masterful sensitivity to the medium of paint. Richly saturated colors, elegantly matte surfaces, and an improvisational play with density and structure define this group of works, Forrest’s latest contribution to the lively field of contemporary abstraction.

Born in Scotland, Forrest immigrated to Canada as a teenager, coming of age as a painter in Saskatoon in the 1980s. He relocated to Vancouver Island in 2013 but has maintained a summer studio in rural Saskatchewan, dividing his painting time between the two locations. In a literal sense, the title of the exhibition speaks to this geographic split, acknowledging the influence of place and some of the ways it finds expression in the work. Not necessarily the visual aesthetics of the landscape--the differences in topography, sight-lines, or the quality of the light--but rather in how the studio environment and working pace contribute to the development of the paintings. Vancouver Island offers Forrest proximity to the comforts of home, studio time there is folded into his daily routine. The rural studio, on the other hand, is spacious but also isolated, it necessitates an intensive and largely solitary way of working, longer days, limited contact with the outside world. Subtly, these factors change the work. Ultimately, one of Forrest's greatest strengths as a painter is his openness to these changes. When he arrives in Saskatchewan, it is always with a plan for how he will start out, but also with an eagerness to "see how it goes".

In a less literal sense, the easygoing offhandedness of the exhibition title captures this attitude, which seems so fundamental to Forrest's identity as a painter. Despite his decades of experience, his goal in painting is not "mastery" per se, but rather a state of almost perpetual discovery. Paint is a mercurial medium, fluid, malleable, it bleeds, stains, runs, and drips. The painter's task is arguably to shape the medium to their will. Any painter with a degree of experience learns a great many techniques to make the paint do what they want it to do. A responsive painter learns how to collaborate with the medium; not to beat it into submission but to work with it; not to deny or kill its fluid malleability, but to guide and harness it for dynamic effect. Forrest's latest paintings do just that, finding a compelling balance in the medium's inherent tensions.

(*Written by The Gallery / art placement inc.

For the third time since 2016, The GALLERY / art placment inc. is pleased to host an exhibition of work by the Visual Arts Faculty at the School for the Arts, University of Saskatchewan. “in, as, on, for, through” opened August 24 and runs until September 21. This multi-artist exhibition includes artwork from artists such as Lisa Birke, Jennifer Crane, Allyson Glenn, Cam Forbes, John Graham, Mary Longman, Ella Dawn McGeough, jake moore, Alison Norlen, Tim Nowlin, and Susan Shantz. A closing reception will be held Saturday, September 14 from 2:00 p.m. – 4:00 p.m.

The Gallery / art placement presents “Summer Selections”, a group exhibition bursting with life and colour inspired by summer in Saskatchewan. This show offers a variety of gorgeous landscape views, striking abstract compositions, and artwork that blend the two. The show runs from July 6, 2024 until August 3, 2024 at The Gallery / art placement in downtown Saskatoon.

Coinciding with Pride Week festivities in Saskatoon, Art Placement is pleased to host "Spark Your Pride", a group exhibition of LGBTQIA2S+ artists from the Saskatoon community.

Spark Your Pride has become an annual celebration of older/senior/elder 2SLGBTQ+ folk that takes place during Saskatoon's Pride Festival. Spark Your Pride is hosted by the Western Development Museum (WDM), which has a mandate to acquire, exhibit, and preserve the stories that make up Saskatchewan's diverse history, including as many perspectives as possible. Since 2020, Spark Your Pride has offered a variety of programs and activities during Pride, including banquets, performances, concerts, poetry readings, art exhibits, and the transformation of the WDM’s Boom Town into “Queer Town”, a street festival that celebrates the lives and culture of Saskatchewan’s lesbian, gay, transgender, queer, and 2Spirit people. Click here for more information about the Spark Your Pride events taking place this week at the WDM.

For 2024, Spark Your Pride brings their art exhibition to Art Placement in downtown Saskatoon. The artists included explore a range of subjects, mediums, and styles. Featuring work by Joseph Anderson, Jean Dudley, Dave Heinrichs, Steph Krawchuk, Rebecca La Marre, Dane Moore, Levi Mathew, the Estate of Peter McGehee, Tessera Nova, Donald, Cesar Alejandro Romero, Evan Rystrom, Brett Schiisler, Leif Shantz, Carey Shaw, Nguyen Tran, Jo Van Young, and Azby Whitecalf.

(*Written by The GALLERY/ art placement)

Reception: Saturday, June 22 from 2:00 p.m. – 4:00 p.m.

The GALLERY / art placement invites you join them on Saturday, May 25, from 2:00 p.m. – 4:00 p.m., to celebrate the opening of “Consider The Considering When All Things Have Been Considered.”

Art Placement writes the following about this exciting exhibition:

“Art Placement hosts "Consider The Considering, When All Things Have Been Considered", an exhibition of paintings and sculptures by Paul Sisetski. Sisetski has exhibited with the gallery in the past, we are delighted to have him back for this special guest exhibition, a reintroduction that includes both past and recent works.

Paul Sisetski’s work is immediately striking for its rawness. His subjects are rendered roughly with speed and forceful energy, paint applied in confident yet unruly strokes. The figures in his scenes are as energetic as his brushstrokes. Most often active and in motion, their bodies are stretched and perspectivally distorted, limbs elastically extended or bluntly foreshortened. Coming out of the expressionist tradition, Sisetski uses exaggerated color, frenetic marks, and twisting forms to achieve a visceral, emotional impact.

Considering Sisetski’s rough style and eccentric forms, it is tempting to place his work within the category of outsider or naive art. The designation is not entirely out of order, if nothing else giving some recognition to his identity as an artist with cerebral palsy. What such labels fail to acknowledge, however, is Sisetski’s insider status within the artistic community. He completed an MFA in 1995 and has been the focus of two solo exhibitions at the Mendel Art Gallery in 1990 and 2006. As a young man he traveled Europe, immersing himself in the paintings of Old and Modern Masters. He integrates his study of art history into his work with nods to Bosch, Bruegel, Daumier, Goya, Munch, Schiele, Soutine, and others. For Sisetski, art has been a means of communication but also a place of belonging.

Paul Sisetski was born in McCreary, Manitoba and currently resides in Saskatoon. He completed a BFA in 1989 and MFA in 1995 at the University of Saskatchewan. He has exhibited his work throughout the province in group and solo shows since the late 1980s. His works can be found in private and public collections locally and nationally, notably the University of Saskatchewan, SK Arts (Saskatchewan Arts Board), Mendel Art Gallery, and the Canada Council Art Bank.”

The GALLERY / art placement invites you join them on Saturday April 13, from 2:00 p.m. – 4:00 p.m., to celebrate the opening of “TAPESTRY”, a solo exhibition of new egg tempera paintings by Lorenzo Dupuis.

Dupuis has focused almost exclusively on the centuries-old medium of egg tempera for more than a decade, exploring its unique character and stylistic possibilities. These recent paintings showcase his continuing exploration, with exciting new elements and directions.

Dupuis makes his own paint, mixing pigment with egg yolk binder in exactly the same way that artists of the early Renaissance did more than five hundred years ago. Water-based and completely non-toxic, egg tempera is thinner and more translucent than oil. It also dries incredibly fast and is best applied in short strokes with fine brushes, characteristics that have influenced the stylistic aesthetic of Dupuis’ work. His surfaces are built up with many layers of interwoven strokes and hatch-marks, fields of marks that produce a flat, all-over effect. Always evolving, these latest works infuse new elements into the mix: colour that is brighter, bolder, and more varied, as well as larger, flatly painted shapes that punctuate the smaller-scale strokes.

 Dupuis plays with contrasts in colour, value, and scale to create a striking sense of form and space in these latest works. In one painting: larger, solidly painted shapes in a variety of colours float above a field of intersecting dash strokes. Compositionally, the work still achieves an all-over effect, but the heightened distinction between figure and ground creates a dynamic push-and-pull, with the “ground” receding further back into the illusory space of the picture than Dupuis’ works typically go. Other paintings incorporate modeling techniques to produce an almost opposite effect: the suggestion of forms that seem to come forward in space. Strategically varying the colour, value, and density of his hatch marks, Dupuis creates the illusion, from a certain distance, of three-dimensional forms that project outwards from the picture plane. Moving closer to the surface, the illusion dissolves and the paintings are seen, once again, as an interlocking matrix of marks on a two-dimensional surface. Throughout these and other works in the exhibition we find a masterful play with the dynamic opposition between appearance and reality that is arguably at the core of all serious painting.

Art Placement is pleased to present this group show of works selected by Lorenzo Dupuis. Including several of the gallery’s represented artists as well as invited guests, Dupuis highlights some of the many local artists that have inspired, influenced, and engaged him throughout his artistic career. Featuring works by Marie Balthazar, Garry Berteig, Robert Christie, Louise Cook, Reta Cowley, Kim Ennis, Edward Epp, Terry Fenton, Jonathan Forrest,Clint Hunker, Steph Krawchuk, Degen Lindner, Nancy Lowry, Anne McElroy, Rob O’Flanagan, Gregory Pyra, Paul Sisetski, Marvin Swartz, and Glenn Veeman.

“It may be a myth to say that individuals make art. Rather, in my experience, communities make art. Throughout the ages, individuals encouraged and informed by communities made art. The Italian Renaissance School, the French Impressionist School, the Barbizon School, the New York School, the London School and the Emma Lake School are just some of the very many communities renowned for empowering individuals to effectively express themselves visually.

Like many others, I have benefitted by living in such a community. From my youth as a university student to today, I have been surrounded by informed and supportive friends who share my interests. I am in debt to them in numerous ways, particularly through ongoing conversations and studio visits that have spanned decades. The exhibition “Community” is an acknowledgement of this continuous support.”

-Lorenzo Dupuis, 2024

Art Placement is pleased to host an exhibition of artworks by the staff and sessional lecturers in the Department of Art and Art History at the University of Saskatchewan. Featuring works by Joseph Anderson, Steve Bates, Terry Billings, Patrick Bulas, Ann Donald, Jasmin Fookes, Jesse Fulcher Gagnon, Xiao Han, Clint Hunker, Shelby Lund, Todd Lyons, Grant McConnell, Barbara Reimer, Frances Robson, Jordan Schwab, Jacob Semko, Laura St. Pierre, and Shawn Zheng.

University of Saskatchewan Staff and Sessional Exhibition: SPRING CLEANING

March 2 - April 6, 2024

Reception: Saturday March 2, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

For a more comprehensive view of the exhibition please visit: http://www.artplacement.com/gal.../exhibitions_images.php...

The exhibition, “LORNA RUSSELL: works from the estate", is on now from January 20 to February 24, 2024 at Art Placement Gallery in Saskatoon. Concurrently, the exhibit “The Landscape Tradition” also runs from January 23 to February 24.

LORNA RUSSELL: works from the estate

January 20 – February 24, 2024

Reception: Saturday, February 3, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

Please note that the Lorna Russell exhibition is a retrospective. Lorna was a beloved Saskatoon artist who passed away last spring at the age of 89. View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

VISUAL MUSIC - Graham Fowler & Ray Stephanson
Reception: Friday December 15, 6 - 8 PM

As we close in upon the shortest and darkest day of the year, Art Placement is delighted to present an artist project that celebrates light, colour, music, and collaboration. VISUAL MUSIC is the collaborative creation of musician-composer Ray Stephanson and visual artist Graham Fowler.

Long-time friends and colleagues, Stephanson initiated the cross-disciplinary play by musically interpreting one of Fowler’s paintings. Fowler, best known for his paintings in oil, responded to Stephanson’s musical composition through a series of images developed entirely digitally. Now several years on, a large body of collaborative work has emerged from this creative back-and-forth. For the first public presentation of their collaboration, Stephanson and Fowler bring music and image together into a multi-sensory installation. Both artists have approached the project with an exploratory inquisitiveness, thinking about what a painting might sound like, or what a musical composition might look like when visualized in color, pattern, and optical movement. The resulting installation combines moving images with an immersive soundscape, connecting the eyes with the ears, the act of looking with the embodied experience of sound.

Multi-Artist Exhibition: Holiday Group Show
December 9, 2023 – January 17, 2024

Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving - featuring a variety of mediums, subjects, and styles by numerous gallery artists.

The GALLERY/ art placement

238 - 3rd Avenue South, Saskatoon

Open Tuesday - Saturday, 9:00 a.m. until 5:30 p.m. and by appointment outside of these hours. Call or email to inquire about an appointment. (306.664.3385, gallery@artplacement.com)

Shop local. Shop original.

Visit Art Placement Gallery to view Greg Hardy’s exhibition “ELEMENTS”, and Doug Bentham’s “A Survey in Ten Sculptures”, from October 28 to December 6, 2023.

Opening Reception: Saturday, October 28, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

KELLY GOERZEN - Close to Home
Reception: Saturday September 16, 2 - 4 PM
Art Placement is delighted to present Kelly Goerzen's latest exhibition at the gallery, her first since 2017. More information coming soon.

LATE SUMMER GROUP SHOW
Reception: N/A
August 5 - September 13
Late summer is a beautiful time in Saskatchewan. Art Placement is pleased to celebrate the season with a group show featuring works by numerous gallery artists. Showcasing a variety of media and styles, including brand new paintings fresh from the artists' studios as well as a selection of recently arrived historical works.

 I AM HERE. I AM HUMAN.
Reception: Wednesday, June 28, 6 - 8 PM
June 28 - August 2
>> click here for more information
Art Placement is pleased to host the Grade 8 Students from the Creative Action program at North Park Wilson School, as they present their collaborative exhibition, "I AM HERE. I AM HUMAN." Organized by Sheryl Salen and Seth Peters, and developed in partnership with the Saskatoon Food Bank, the art works in the exhibition touch upon issues around homelessness, poverty, social justice, and food insecurity that the students' have been researching. Non-perishable food donations for the Food Bank will be accepted throughout the run of the exhibition.

MIDDLE GROUND: Jane Harington & Dawna Rose
Reception: Saturday, June 10, 2 - 4 PM
May 12 - June 22
Art Placement is pleased to bring together recent works by Jane Harington and Dawna Rose, two Saskatoon-based painters mining the fertile middle ground between abstraction and representation. Both artists work mostly in oils with stylistic vocabularies that are loose, gestural, and painterly. Over the course of their careers, Harington and Rose have each explored a number of subjects and genres, including landscapes, still-lifes, florals, and figures. Recently, and independently of one another, both artists have been making work that is increasingly abstract. Their paintings maintain some connection to recognizable subjects, though that connection often slips away as the works become more about feeling, intuition, visual play, and aesthetic balance, and less about depiction or representation. The resulting works are colourful, dynamic, and engaging. The lingering essence of a subject gives the works some grounding, a sense of where the paintings began. The finished paintings allow us to appreciate the creative journey that brought each work to its conclusion.

Jane Harington Artist Statement:

I always find it hard to describe my work. Large floral seems somehow inadequate yet, that is what they are. I’ve tried to leave the floral reference out but then am left with ‘abstract with floral undertones’ - not quite right either! So I’ve decided to embrace the massive floral overtones of this new series and celebrate their joie de vivre.

Several of this series are diptychs or companion pieces. The balance and flow between them working with the energy and expressiveness of each piece. There’s a quiet against a dense entanglement, a breath against a riot. They are all reflective of my interior monologue - the voice in my head, the sound of my thoughts. The constant wonder and worry that is our world and how to understand, navigate and process it.

Painting is deeply meditative for me. I paint quickly, with rapid brushstrokes, making marks that lead me into the work. Often, I reach a dead end but there’s always another mark, another way to bring me back to the surface, to the beauty, to the lushness, to the mystery.

Dawna Rose Artist Statement:

This latest series, Rock/brain, began in August 2021 at a Pouch Cove foundation residency in Newfoundland. I had a couple of small panels with me that morphed into rock mound shaped abstracts. The paintings were influenced by the environment I was in and my daily walks along the East Coast trail which was a mere 15 minutes from my studio. Concurrently I had begun a meditation course which I accessed daily online through an app. The app not only conducted a daily 20 minute meditation but had innumerable talks about neurology and the brain which I found quite captivating having never really investigated my own.

Upon returning to Saskatoon I continued to transform both new and old panels into these lump like shapes, structures similar to the paintings I had started in Pouch Cove. Initially the paintings seemed like landscapes, or lumps in a landscape but eventually the shape reminded me more and more of brains ( with a lot of stuff going on inside them) placed in a space. I admit to listening to the meditation app while painting. Sometimes they reminded me of portraits, obviously not traditional ones but rather more like brain scans. This work grew to include 38 panel pieces of various sizes that I travelled around Saskatoon with to three different residencies over the past 6 months. I worked on all the panels simultaneously. The working method was a form of addition and subtraction. Sometimes adding paint and sometimes using solvent or a palette knife to remove paint. Each decision on each piece created a subsequent decision. The narrative and physical structure of the painting became slightly less important as the process of painting took over but the final work would not have had the same emotional or visual heft for me if they hadn’t started with the lump, the landscape and the inner workings of a mysterious brain.

CATHERINE PEREHUDOFF-FOWLER
Reception: Friday, May 12, 6 - 8 PM
May 12 - June 22
Art Placement is delighted to announce Catherine Perehudoff-Fowler's upcoming solo exhibition, her first at the gallery since 2014.

Catherine Perehudoff-Fowler is a second generation prairie landscape artist inspired by the expanse of the Western prairies, the natural splendor of the northern forests, mountains, and lakes, and the romance of the Atlantic seashore. Her atmospheric paintings in watercolor and acrylic are exquisitely detailed, each stroke of vibrant colour delicately placed with meticulous precision. Paying particular attention to the subtle nuances of light and weather, her paintings capture the ethereal, atmospheric essence of each particular place. 

Catherine Perehudoff-Fowler grew up in a home with art and artists, which encouraged her to take up painting herself from a young age. Her education in the Fine Arts began when she studied Painting and Textile Arts at Voss Folkehogskule in Norway. Returning to Canada, she completed a BA in Art History at the University of Saskatchewan, which solidified her interest in becoming a landscape painter. An avid traveler, the many places Perehudoff-Fowler has lived and visited are reflected in the diversity of her landscapes. Over the course of her nearly four-decade-long career she has exhibited in art galleries, museums, and art fairs across Canada and internationally in London, England; Voss, Norway; Paris, France; various cities in Italy; and the USA. Her works have been collected by numerous individuals, institutions, and corporations in Canada and abroad.