Filtering by: Art Placement/The Gallery
Multi-Artist Exhibition: Community - selections by Lorenzo Dupuis
Apr
13
to 18 May

Multi-Artist Exhibition: Community - selections by Lorenzo Dupuis

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Art Placement is pleased to present this group show of works selected by Lorenzo Dupuis. Including several of the gallery’s represented artists as well as invited guests, Dupuis highlights some of the many local artists that have inspired, influenced, and engaged him throughout his artistic career. Featuring works by Marie Balthazar, Garry Berteig, Robert Christie, Louise Cook, Reta Cowley, Kim Ennis, Edward Epp, Terry Fenton, Jonathan Forrest,Clint Hunker, Steph Krawchuk, Degen Lindner, Nancy Lowry, Anne McElroy, Rob O’Flanagan, Gregory Pyra, Paul Sisetski, Marvin Swartz, and Glenn Veeman.

“It may be a myth to say that individuals make art. Rather, in my experience, communities make art. Throughout the ages, individuals encouraged and informed by communities made art. The Italian Renaissance School, the French Impressionist School, the Barbizon School, the New York School, the London School and the Emma Lake School are just some of the very many communities renowned for empowering individuals to effectively express themselves visually.

Like many others, I have benefitted by living in such a community. From my youth as a university student to today, I have been surrounded by informed and supportive friends who share my interests. I am in debt to them in numerous ways, particularly through ongoing conversations and studio visits that have spanned decades. The exhibition “Community” is an acknowledgement of this continuous support.”

-Lorenzo Dupuis, 2024

Terry Fenton, "Precursor (Saskatchewan)", 2015, oil on panel, 9x12", framed, $1,600

Reta Cowley, "Cascade Mountain From Vermilion Lakes", 1944, watercolour on paper, 10 1/4x13 3/4", ,framed, $1,800

Jonathan Forrest, "December Sketches #1", 2022, acrylic and charcoal on paper, 30x22 1/4", framed, $2,200 

Jonathan Forrest, "December Sketches #1", 2022, acrylic and charcoal on paper, 30x22 1/4", framed, $2,200 

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Lorenzo Dupuis: TAPESTRY
Apr
13
to 18 May

Lorenzo Dupuis: TAPESTRY

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The GALLERY / art placement invites you join them on Saturday April 13, from 2:00 p.m. – 4:00 p.m., to celebrate the opening of “TAPESTRY”, a solo exhibition of new egg tempera paintings by Lorenzo Dupuis.

Dupuis has focused almost exclusively on the centuries-old medium of egg tempera for more than a decade, exploring its unique character and stylistic possibilities. These recent paintings showcase his continuing exploration, with exciting new elements and directions.

Dupuis makes his own paint, mixing pigment with egg yolk binder in exactly the same way that artists of the early Renaissance did more than five hundred years ago. Water-based and completely non-toxic, egg tempera is thinner and more translucent than oil. It also dries incredibly fast and is best applied in short strokes with fine brushes, characteristics that have influenced the stylistic aesthetic of Dupuis’ work. His surfaces are built up with many layers of interwoven strokes and hatch-marks, fields of marks that produce a flat, all-over effect. Always evolving, these latest works infuse new elements into the mix: colour that is brighter, bolder, and more varied, as well as larger, flatly painted shapes that punctuate the smaller-scale strokes.

 Dupuis plays with contrasts in colour, value, and scale to create a striking sense of form and space in these latest works. In one painting: larger, solidly painted shapes in a variety of colours float above a field of intersecting dash strokes. Compositionally, the work still achieves an all-over effect, but the heightened distinction between figure and ground creates a dynamic push-and-pull, with the “ground” receding further back into the illusory space of the picture than Dupuis’ works typically go. Other paintings incorporate modeling techniques to produce an almost opposite effect: the suggestion of forms that seem to come forward in space. Strategically varying the colour, value, and density of his hatch marks, Dupuis creates the illusion, from a certain distance, of three-dimensional forms that project outwards from the picture plane. Moving closer to the surface, the illusion dissolves and the paintings are seen, once again, as an interlocking matrix of marks on a two-dimensional surface. Throughout these and other works in the exhibition we find a masterful play with the dynamic opposition between appearance and reality that is arguably at the core of all serious painting.

  Lorenzo Dupuis, "Community", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "Here, There and Everywhere", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "In Doubt of Particles", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "Infinity Goes on Trial", 2024, egg tempera on panel, 40x36", framed, $3,375

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Multi-Artist Exhibition: SPRING CLEANING
Mar
2
to 6 Apr

Multi-Artist Exhibition: SPRING CLEANING

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Art Placement is pleased to host an exhibition of artworks by the staff and sessional lecturers in the Department of Art and Art History at the University of Saskatchewan. Featuring works by Joseph Anderson, Steve Bates, Terry Billings, Patrick Bulas, Ann Donald, Jasmin Fookes, Jesse Fulcher Gagnon, Xiao Han, Clint Hunker, Shelby Lund, Todd Lyons, Grant McConnell, Barbara Reimer, Frances Robson, Jordan Schwab, Jacob Semko, Laura St. Pierre, and Shawn Zheng.

University of Saskatchewan Staff and Sessional Exhibition: SPRING CLEANING

March 2 - April 6, 2024

Reception: Saturday March 2, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

For a more comprehensive view of the exhibition please visit: http://www.artplacement.com/gal.../exhibitions_images.php...

Xiao Han, "Yee Clun’s Lost Story", 2017, archival inkjet print ed. 2/10, 40x40”, $1500

Laura St Pierre, "Ark/Arche (ed 2/5)”, 2022, archival inkjet on hahnemuhle photo rag, 40x32.9", $3150 (framed)

Frances Robson, "Bella, before she lifts”, 2024, 3D iPhone scan, edited, and printed in full colour resin, with a plexiglass platform, 6.25x8.5x4” Not for Sale.

Joseph Anderson, "Study for a Figure at the Base of a Crucifixion (after Francis Bacon); or Self-Portrait Performing Bas Jan Ader’s I’m Too Sad to Tell You”, 2024, watercolor on paper, 10x8” (Not for Sale)

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LORNA RUSSELL: works from the estate
Jan
20
to 24 Feb

LORNA RUSSELL: works from the estate

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The exhibition, “LORNA RUSSELL: works from the estate", is on now from January 20 to February 24, 2024 at Art Placement Gallery in Saskatoon. Concurrently, the exhibit “The Landscape Tradition” also runs from January 23 to February 24.

LORNA RUSSELL: works from the estate

January 20 – February 24, 2024

Reception: Saturday, February 3, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

Please note that the Lorna Russell exhibition is a retrospective. Lorna was a beloved Saskatoon artist who passed away last spring at the age of 89. View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

Lorna Russell, "Hidden Inlet, Evening", 2015, oil on canvas, 16" x 29 1/2", $2350

Lorna Russell, "Marigolds, Late Summer", 1993, pastel on paper, 13 3/4x 21 3/4", $1700

Lorna Russell, "Vesse's Road, September", 1992, pastel on paper, 14 1/2x22", $2350

Lorna Russell, "Untitled (landscape, open line)", 1995, pastel on Sennelier paper, 18 1/2x 19 7/8", $2600

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Graham Fowler & Raymond Stephenson: Visual Music
Dec
15
to 30 Dec

Graham Fowler & Raymond Stephenson: Visual Music

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VISUAL MUSIC - Graham Fowler & Ray Stephanson
Reception: Friday December 15, 6 - 8 PM

As we close in upon the shortest and darkest day of the year, Art Placement is delighted to present an artist project that celebrates light, colour, music, and collaboration. VISUAL MUSIC is the collaborative creation of musician-composer Ray Stephanson and visual artist Graham Fowler.

Long-time friends and colleagues, Stephanson initiated the cross-disciplinary play by musically interpreting one of Fowler’s paintings. Fowler, best known for his paintings in oil, responded to Stephanson’s musical composition through a series of images developed entirely digitally. Now several years on, a large body of collaborative work has emerged from this creative back-and-forth. For the first public presentation of their collaboration, Stephanson and Fowler bring music and image together into a multi-sensory installation. Both artists have approached the project with an exploratory inquisitiveness, thinking about what a painting might sound like, or what a musical composition might look like when visualized in color, pattern, and optical movement. The resulting installation combines moving images with an immersive soundscape, connecting the eyes with the ears, the act of looking with the embodied experience of sound.

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Multi-Artist Exhibition: Holiday Group Show
Dec
9
to 17 Jan

Multi-Artist Exhibition: Holiday Group Show

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Multi-Artist Exhibition: Holiday Group Show
December 9, 2023 – January 17, 2024

Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving - featuring a variety of mediums, subjects, and styles by numerous gallery artists.

The GALLERY/ art placement

238 - 3rd Avenue South, Saskatoon

Open Tuesday - Saturday, 9:00 a.m. until 5:30 p.m. and by appointment outside of these hours. Call or email to inquire about an appointment. (306.664.3385, gallery@artplacement.com)

Shop local. Shop original.

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AKA Art Draw Fundraiser at Art Placement
Dec
8
7:00 pm19:00

AKA Art Draw Fundraiser at Art Placement

AKA artist-run centre's bi-annual Art Draw Fundraiser returns to an in-person format on Friday December 8th and this year the event will be held at Art Placement. More than 60 works will be on offer, donated by an amazing list of incredibly generous artists, including many gallery artists.

Click here to visit AKA's website for more information about the organization and the Art Draw.

Tickets are $30 each, or 5 tickets for $125. Only 250 tickets available. Each ticket is one entry in the draw, one chance to win one of the donated works. To preview the works, they will be on display during the gallery's regular hours on December 7th and 8th.

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Greg Hardy: ELEMENTS & Doug Bentham: A Survey in Ten Sculptures
Oct
28
to 6 Dec

Greg Hardy: ELEMENTS & Doug Bentham: A Survey in Ten Sculptures

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Visit Art Placement Gallery to view Greg Hardy’s exhibition “ELEMENTS”, and Doug Bentham’s “A Survey in Ten Sculptures”, from October 28 to December 6, 2023.

Opening Reception: Saturday, October 28, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

Greg Hardy, "As it Builds", 2023, acrylic on canvas, 60x72", $19,000

Doug Bentham, "Light For El Greco", 2012, Galvanized steel & iron, patinated brass, 37x22x10", $7,000

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Kelly Goerzen - Close to Home
Sep
16
to 25 Oct

Kelly Goerzen - Close to Home

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KELLY GOERZEN - Close to Home
Reception: Saturday September 16, 2 - 4 PM
Art Placement is delighted to present Kelly Goerzen's latest exhibition at the gallery, her first since 2017. More information coming soon.

Kelly Goerzen, "Prairie Slough", 2023, Acrylic on canvas, 36" x 48", $2,520.00  Unframed   CDN  (+ taxes)

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Multi-Artist Exhibition: Late Summer Group Show
Aug
5
to 13 Sep

Multi-Artist Exhibition: Late Summer Group Show

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LATE SUMMER GROUP SHOW
Reception: N/A
August 5 - September 13
Late summer is a beautiful time in Saskatchewan. Art Placement is pleased to celebrate the season with a group show featuring works by numerous gallery artists. Showcasing a variety of media and styles, including brand new paintings fresh from the artists' studios as well as a selection of recently arrived historical works.

Rebecca Perehudoff, "Chairs on the Beach 20",
2020, Acrylic on canvas, 36" x 36", Price available upon request.

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I AM HERE. I AM HUMAN.
Jun
28
to 2 Aug

I AM HERE. I AM HUMAN.

 I AM HERE. I AM HUMAN.
Reception: Wednesday, June 28, 6 - 8 PM
June 28 - August 2
>> click here for more information
Art Placement is pleased to host the Grade 8 Students from the Creative Action program at North Park Wilson School, as they present their collaborative exhibition, "I AM HERE. I AM HUMAN." Organized by Sheryl Salen and Seth Peters, and developed in partnership with the Saskatoon Food Bank, the art works in the exhibition touch upon issues around homelessness, poverty, social justice, and food insecurity that the students' have been researching. Non-perishable food donations for the Food Bank will be accepted throughout the run of the exhibition.

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Jane Harington & Dawna Rose: MIDDLE GROUND
May
12
to 22 Jun

Jane Harington & Dawna Rose: MIDDLE GROUND

MIDDLE GROUND: Jane Harington & Dawna Rose
Reception: Saturday, June 10, 2 - 4 PM
May 12 - June 22
Art Placement is pleased to bring together recent works by Jane Harington and Dawna Rose, two Saskatoon-based painters mining the fertile middle ground between abstraction and representation. Both artists work mostly in oils with stylistic vocabularies that are loose, gestural, and painterly. Over the course of their careers, Harington and Rose have each explored a number of subjects and genres, including landscapes, still-lifes, florals, and figures. Recently, and independently of one another, both artists have been making work that is increasingly abstract. Their paintings maintain some connection to recognizable subjects, though that connection often slips away as the works become more about feeling, intuition, visual play, and aesthetic balance, and less about depiction or representation. The resulting works are colourful, dynamic, and engaging. The lingering essence of a subject gives the works some grounding, a sense of where the paintings began. The finished paintings allow us to appreciate the creative journey that brought each work to its conclusion.

Jane Harington Artist Statement:

I always find it hard to describe my work. Large floral seems somehow inadequate yet, that is what they are. I’ve tried to leave the floral reference out but then am left with ‘abstract with floral undertones’ - not quite right either! So I’ve decided to embrace the massive floral overtones of this new series and celebrate their joie de vivre.

Several of this series are diptychs or companion pieces. The balance and flow between them working with the energy and expressiveness of each piece. There’s a quiet against a dense entanglement, a breath against a riot. They are all reflective of my interior monologue - the voice in my head, the sound of my thoughts. The constant wonder and worry that is our world and how to understand, navigate and process it.

Painting is deeply meditative for me. I paint quickly, with rapid brushstrokes, making marks that lead me into the work. Often, I reach a dead end but there’s always another mark, another way to bring me back to the surface, to the beauty, to the lushness, to the mystery.

Dawna Rose Artist Statement:

This latest series, Rock/brain, began in August 2021 at a Pouch Cove foundation residency in Newfoundland. I had a couple of small panels with me that morphed into rock mound shaped abstracts. The paintings were influenced by the environment I was in and my daily walks along the East Coast trail which was a mere 15 minutes from my studio. Concurrently I had begun a meditation course which I accessed daily online through an app. The app not only conducted a daily 20 minute meditation but had innumerable talks about neurology and the brain which I found quite captivating having never really investigated my own.

Upon returning to Saskatoon I continued to transform both new and old panels into these lump like shapes, structures similar to the paintings I had started in Pouch Cove. Initially the paintings seemed like landscapes, or lumps in a landscape but eventually the shape reminded me more and more of brains ( with a lot of stuff going on inside them) placed in a space. I admit to listening to the meditation app while painting. Sometimes they reminded me of portraits, obviously not traditional ones but rather more like brain scans. This work grew to include 38 panel pieces of various sizes that I travelled around Saskatoon with to three different residencies over the past 6 months. I worked on all the panels simultaneously. The working method was a form of addition and subtraction. Sometimes adding paint and sometimes using solvent or a palette knife to remove paint. Each decision on each piece created a subsequent decision. The narrative and physical structure of the painting became slightly less important as the process of painting took over but the final work would not have had the same emotional or visual heft for me if they hadn’t started with the lump, the landscape and the inner workings of a mysterious brain.

Jane Harington, "Undone", 2023, Oil on canvas, 24" x 24", $1,850.00  Unframed   CDN  (+ taxes)

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CATHERINE PEREHUDOFF-FOWLER
May
12
to 22 Jun

CATHERINE PEREHUDOFF-FOWLER

CATHERINE PEREHUDOFF-FOWLER
Reception: Friday, May 12, 6 - 8 PM
May 12 - June 22
Art Placement is delighted to announce Catherine Perehudoff-Fowler's upcoming solo exhibition, her first at the gallery since 2014.

Catherine Perehudoff-Fowler is a second generation prairie landscape artist inspired by the expanse of the Western prairies, the natural splendor of the northern forests, mountains, and lakes, and the romance of the Atlantic seashore. Her atmospheric paintings in watercolor and acrylic are exquisitely detailed, each stroke of vibrant colour delicately placed with meticulous precision. Paying particular attention to the subtle nuances of light and weather, her paintings capture the ethereal, atmospheric essence of each particular place. 

Catherine Perehudoff-Fowler grew up in a home with art and artists, which encouraged her to take up painting herself from a young age. Her education in the Fine Arts began when she studied Painting and Textile Arts at Voss Folkehogskule in Norway. Returning to Canada, she completed a BA in Art History at the University of Saskatchewan, which solidified her interest in becoming a landscape painter. An avid traveler, the many places Perehudoff-Fowler has lived and visited are reflected in the diversity of her landscapes. Over the course of her nearly four-decade-long career she has exhibited in art galleries, museums, and art fairs across Canada and internationally in London, England; Voss, Norway; Paris, France; various cities in Italy; and the USA. Her works have been collected by numerous individuals, institutions, and corporations in Canada and abroad.

Catherine Perehudoff, "Coastal Flowers",
2016, Acrylic on canvas, 30" x 36", Price available upon request. Inquire

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Yuka Yamaguchi: Kaleidoscope Minds
Apr
1
to 11 May

Yuka Yamaguchi: Kaleidoscope Minds

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YUKA YAMAGUCHI - KALEIDOSCOPE MINDS
Reception: Saturday, April 1st, 2 - 4 PM.
April 1 - May 11
Art Placement is delighted to present "Kaleidoscope Minds” a solo exhibition of Yuka Yamaguchi’s colour pencil drawings from 2017 - 2023.

Yuka Yamaguchi is a self-taught visual artist from Kobe, Japan. She moved to Canada in 2000, settling in Saskatoon in 2005. Colour pencils and paper are her medium. Her drawings are developed intuitively, without pre-planning. She believes in the power of the unconscious mind and, in one sense, her art is a way for her to explore the relationship between body and mind. She has exhibited her work regionally in Saskatoon and Edmonton, and internationally in Tokyo, Los Angeles, Berlin, Portland, San Francisco, and Taipei.

Artist Statement:

I draw what I find attractive at the time. As I draw, I start to see more images in my head: from nature, people around me, and random everyday objects. They are like many dots floating in my head, combining in different ways depending on my point of view, changing shapes in my mind like a kaleidoscope.

Yuka Yamaguchi, "No strings attached", 2022, coloured pencil on paper, 18" x 21", $1,995.00  Framed   CDN  (+ taxes)

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Multi-Artist Exhibition: Spring Group Show
Apr
1
to 11 May

Multi-Artist Exhibition: Spring Group Show

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SPRING GROUP SHOW
Reception: N/A
April 1 - May 11
Celebrate the changing of the seasons with a collection of spring-themed works. Featuring select paintings, drawings, and mixed media works by Reta Cowley, Jennifer Crane, Jonathan Forrest, Lynne Graham, Clint Hunker, Dorothy Knowles, William Perehudoff, Alicia Popoff, and Les Potter.

Alicia Popoff, "Garden Meditations", 2003, Acrylic on Paper, 18" x 22 1/4", $1,725.00  Framed   CDN  (+ taxes)

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Community, Connections, and ______________
Feb
21
to 25 Mar

Community, Connections, and ______________

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Community, Connections, and ______________.
CLOSING RECEPTION: Saturday, March 25th, 2 - 4 PM.
February 21 - March 25
Art Placement is pleased to host the exhibition, "Community, Connections, and _____________", curated by Kelsey Ford, Lauren Warrington, and Emily Zdunich, the members of Biofeedback Collective. The show is a culmination of The Community Project, a year-long series of events, gatherings, and activities undertaken by the Collective and art placement.

Curated by Kelsey Ford, Lauren Warrington, Emily Zdunich (Biofeedback Collective)

"Community, Connections, and __________. is an exploration of human interactions and artistic practice situated in the Saskatoon community. The exhibition is created in response to The Community Project, a multifaceted year-long collaborative initiative by Biofeedback Collective and The Gallery/ Art Placement.

The fill-in-the-blank title encourages exploration upon viewing. The blank area holds space for changing perspectives and developing ideas, similar to how community shifts and grows over time. Conversations, Collectivity, Exchange, Reflection, and Relationships are words that personally resonate with our experiences throughout the project.

The exhibition includes artists who have participated with The Community Project’s Feedback Sessions, Open Studio, and Get Togethers. Our intention was to consider and bring forward the dialogue between artist’s, their works, and the evolving art community. Featuring new and recent works by Alison Norlen, Alexa Hainsworth, Biofeedback Collective, Breanne Bandur, David Stonhouse, Emilie Neudorf, Gabriela Garcia-Luna, Gabby Da Silva, Jessica Morgun, JingLu Zhao, Karen Polowick, Rebecca La Marre, Robert Christie, and Susan Clarke.

The Community Project was a series of events, workshops, and activities to support and build connections among artists in Saskatoon. The Community Project was co-developed by Biofeedback Collective and art placement. We gratefully acknowledge funding from SK Arts through their Artists in Communities Grant Program.

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Laura St. Pierre: where the light gets in
Jan
14
to 16 Feb

Laura St. Pierre: where the light gets in

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LAURA ST.PIERRE - where the light gets in
Reception: Saturday, January 14 2-4PM
January 14 - February 16


Art Placement is pleased to present "where the light gets in", Laura St.Pierre’s first solo exhibition at the gallery. St.Pierre’s latest photographic images and mixed media sculptures revolve around a fictional character, The Sower, who tends to her crops amidst inhospitable conditions. Portrayed by the artist herself, The Sower traverses barren and crumbling urban and industrial landscapes, erecting makeshift plastic structures that offer dubious shelter for her crops.

St.Pierre’s surreal images exist outside of any one specific time and place. Costume and narrative suggest a dystopian future, though the sites are also familiar; if this is the future, it is not that far removed from the present. True to the spirit of science fiction, her speculative visions of the future invariably turn a lens back onto the present. Touching on dire contemporary themes including climate change and food insecurity, her work embraces the gravity of these issues without abandoning optimism. Potentially bleak in palette and tone, The Sower’s light nevertheless shines through. Her labour, against the odds, is an act of resistance, perseverance, and ultimately hope. 

Laura St.Pierre is a visual artist who works with photography, installation, and video from an ecological perspective. She holds a Master of Fine Arts Degree from Concordia University. She has exhibited her work across Canada in Saskatoon, Regina, Edmonton, Calgary, Winnipeg, Montreal, and Toronto. She currently lives and works in Saskatoon, where she teaches part-time at the University of Saskatchewan.

Laura St Pierre, "Heat and Light/ Chaleur et lumière( ed 1/7)",
2022, Archival Inkjet on Hahnemuhle Photo Rag, 15 1/2" x 12", $1,325.00  Framed   CDN  (+ taxes)

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Winter Group Show
Jan
14
to 16 Feb

Winter Group Show

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Winter Group Show

2023 begins with a group show of select works and recent arrivals. Featuring paintings, drawings, and mixed media works by several gallery artists including Kathy Bradshaw, Cory Chad, Louise Cook, Ruth Cuthand, Jordan Danchilla, Lorenzo Dupuis, Allyson Glenn, Lynne Graham, Greg Hardy, Jane Harington, Iris Hauser, Clint Hunker, Robert Hurley, Denise Flaman, Steph Krawchuk, Nancy Lowry, Rebecca Perehdudoff, Les Potter, Ian Rawlinson, Dawna Rose, Betsy Rosenwald, Lorna Russell, Allen Sapp, and others.

Allen Sapp, untitled, 1967, acrylic on panel, 24 x 42 in.

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Small Works Holiday Show
Dec
9
to 24 Dec

Small Works Holiday Show

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SMALL WORKS - HOLIDAY SHOW
Reception: N/A
December 9 - December 24
Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving. Featuring a variety of mediums, subjects, and styles by numerous gallery artists. Stop by the gallery during our regular hours to take in all of the little treasures. If something catches your eye in the following images, give us a call or send an email.

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Robert Christie: Shuffle
Nov
19
to 31 Dec

Robert Christie: Shuffle

ROBERT CHRISTIE - SHUFFLE
Reception: Saturday, November 19, 2 - 4PM
November 19 - December 31
Art Placement is pleased to present Robert Christie’s latest exhibition, "Shuffle". Christie is a prominent painter in Saskatoon who has made countless contributions to the arts in the city and beyond for more than fifty years. Emerging as a painter in the late 1960s when modernist formalism prevailed locally and internationally, Christie remains grounded in the fundamental elements of the medium. Like a deck of playing cards that can be shuffled into an incomprehensibly large number of unique combinations, the elements of painting offer Christie a similarly inexhaustible array of possibilities.

Robert Christie continues to “shuffle the deck” in his latest suite of geometric abstractions. His signature aesthetic remains reduced and minimal with an elegant simplicity that masks an underlying complexity. Christie is a painter who invests significant time and labour into his work. It is not uncommon for some pictures to remain in progress for months or even years and for their final outcomes to be drastically different in colour and composition from where they began. The layers of paint that accumulate in Christie’s paintings give a richness and character to the final surfaces, which are subtle but complex, rewarding those who look intently. Christie’s rigorous, discerning approach searches in each painting for an outcome that both surprises and sustains; an arrangement of shapes, colours, and textures that not only grabs our attention, but also holds it.

Robert Christie was born in Saskatoon in 1946. He studied at the University of Saskatchewan and was a frequent participant at the Emma Lake Artists’ Workshops starting in 1969. His paintings have been presented in numerous solo and group exhibitions throughout Canada since 1969 and his work is represented in both public and private collections throughout Canada and abroad.

View the exhibition online here.

Robert Christie, "Playground", 2022, Acrylic, plywood on canvas, 66" x 60 1/2", $12,000.00  Framed   CDN  (+ taxes)

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Iris Hauser: Grounded in the Body
Oct
8
to 17 Nov

Iris Hauser: Grounded in the Body

Iris Hauser: Grounded in the Body
October 8 - November 17
The GALLERY / art placement inc.
238 - 3rd Avenue South, Saskatoon

Reception: Saturday, October 8, 2 - 4 p.m.

Art Placement is pleased to present celebrated Saskatoon artist Iris Hauser’s first solo exhibition at the gallery, "Grounded in the Body". The exhibition highlights a selection of works drawn from the last several decades of Hauser’s production with a particular emphasis on recent works from the past two years, a period that has been one of the most prolific of her accomplished and lengthy career. Throughout the selection of works, recent and past, the body dominates; an endlessly inspiring subject through which Hauser weaves a tapestry of intersecting ideas and themes.

Iris Hauser is a figurative painter who has committed herself to the subject for more than four decades. Her paintings combine high realism with allegory and symbolism to achieve a self-conscious, contemporary take on surrealism. Despite the realistic rendering of the figures and forms in her paintings, there is an unmistakable artificiality to Hauser’s scenes; these are not snapshots of every-day life, but intentionally composed tableaux with symbolic and allegorical heft. These paintings are constructed, in every sense of the word, using pieces of reality that are then reconfigured into something that goes beyond, reaching into the realms of spirit and intellect. This body of work places the human figure as an expressive element within recent explorations in the painter’s lexicon of colour, composition and style.

Also included in the exhibition are a collection of benches by Zach Hauser, Iris Hauser's longtime partner in art and life. Both artists are also celebrated in the exhibition, Duet: A Partnership in Life and Art, on view concurrently at the Saskatchewan Craft Council Gallery from September 3rd to November 12th. Click here for more information about the exhibition at the Craft Council.

Click here to learn more: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=288

Iris Hauser, "The Last Gleaming", 2021, Oil on canvas, 39 1/2" x 33 5/8", $2,300,  unframed 

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Jordan Danchilla: Those Days, These Days
Aug
30
to 6 Oct

Jordan Danchilla: Those Days, These Days

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Jordan Danchilla: Those Days, These Days
August 30 - October 6
The GALLERY / art placement, Saskatoon

Reception: Thursday, September 1, 6:00 pm to 8:00 pm.

Art Placement is delighted to present "Those Days, These Days", the first solo exhibition by Jordan Danchilla at the gallery. The sprawling installation of paintings, drawings, collages, mixed media works, objects, and assemblages speaks to the multiple and varied ways that Danchilla filters the world through his art.

Danchilla's works defy easy classification, both in terms of medium, as well as their place on the spectrum between representational and non-objective art. His creative process is exploratory and experimental, driven by curiosity and a seemingly irreverent approach to images. He has developed an expansive visual lexicon that incorporates a diverse range of influences and references, everything from canonical masters of western art, to street signs, book covers, and produce labels to name a few. He transforms this source material into two-dimensional wall works that are not strictly paintings, drawings, collages, or prints, but rather they often combine elements and application techniques borrowed from some or all of these disciplines and others. A single work typically combines a variety of materials as well, everything from acrylic, oil, latex, Flashe, and watercolour paint, to wood, tape, cardboard, paper, graphite, felt, fabric, and more. Filtered through Danchilla's aesthetic lens, these diverse works achieve a stylistic unity that is grounded in his meticulous attention to process and materials. 

Jordan Danchilla is a Saskatoon-based artist who works in a variety of two and three-dimensional media. He studied printmaking at the University of Saskatchewan and is primarily self-taught in other media. He has exhibited his work since 2013 and his works have been collected by individuals in Canada and abroad.

Check out their website for more information: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=286

Jordan Danchilla, "Pineapple Venus", JD119
2012-2022, oil transfer drawing on muslin, pochoir on linen, 10-1/4" x 10-1/4", $650.00 Unframed CDN (+ taxes)

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Ian Rawlinson: Hopeless Romantic
Apr
23
to 11 Jun

Ian Rawlinson: Hopeless Romantic

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Ian Rawlinson: Hopeless Romantic
April 23 - June 02
The Gallery / art placement inc., Saskatoon

Reception:
Saturday, April 23, 2-4 p.m.
Please wear your mask in the gallery.

Saskatchewan Art Gallery Day, June 11
Meet the Artist, 1-3 p.m.

Click here to learn more about the exhibition and view the works online:
http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=276

Ian Rawlinson, “Fading Summer Storm”, acrylic on panel, 16x16”, $900 (+ taxes), unframed

Ian Rawlinson, “The Gateway”, 2021, acrylic on panel, 20x20”, $1,200 (+ taxes), unframed

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Multi-Artist Exhibition: Group Show
Apr
21
to 11 Jun

Multi-Artist Exhibition: Group Show

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Group Show
April 21 – June 11
The GALLERY / art placement inc., Saskatoon

Art Placement is pleased to present a Group Show featuring a selection of brightly coloured works by gallery artists, including Donald Bird, Robert Christie, Jordan Danchilla, Lorenzo Dupuis, Jonathan Forrest, Greg Hardy, Steph Krawchuk, Nancy Lowry, Dawna Rose, William Perehudoff, and Lorna Russell.

Click here to view the works online: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=278

Gregory Hardy, “Cumulus Building Over Steel Grey Water”, 2018, acrylic on linen, 48x66”, Price available upon request. Inquire.

Lorenzo Dupuis, “Quantum Field #54”, 2021, watercolor and ink on archival paper, 8x6”, $525 (+ taxes), framed

Robert Christie, “Lemon Twist”, 2021, acrylic/plywood on canvas, 53x53”, $8,500 (+ taxes), framed

Lorna Russell, “River #3”, 1974, oil on canvas, 32x38”, $2,300 (+ taxes), unframed

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Heather M. Cline: Skyhawk
Mar
12
to 21 Apr

Heather M. Cline: Skyhawk

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Heather M. Cline: Skyhawk
March 12 - April 21
The GALLERY / art placement inc., in Saskatoon.

Reception: Saturday, March 12, 2-4 PM

An aerial view of much of the Canadian prairies is a patchwork grid, a geometric system of organization and division imposed upon the land. There is a long tradition on the prairies of documenting the land from the air. Small planes like the Cessna Skyhawk have been used since the 1950s to capture aerial views of countless homesteads, colourized and sold back to the farmers as an opportunity to own and display a portrait of home. Heather Cline’s Skyhawk series continues from this tradition, zooming out to take a wider view of the prairie landscape as seen from above. Highlighting the aesthetic interplay of the grid with the organic contours of the land, her works consider themes around land use, home, settlement, and what it means to inhabit the land.

For gallery hours and more information: http://www.artplacement.com/gallery/contact.php

Heather M. Cline, "Skyhawk Autumn Fields", 2021, Acrylic on panel, 36x48", $3,360.00, Unframed (+ taxes)

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Betsy Rosenwald & Dawna Rose: Journal of the Plague Year(s)
Feb
1
to 10 Mar

Betsy Rosenwald & Dawna Rose: Journal of the Plague Year(s)

Betsy Rosenwald & Dawna Rose: Journal of the Plague Year(s)
February 01 - March 10
The Gallery / art placement Inc

Reception: Open House: Saturday, February 26, 2022, 1-4 pm

For contact information: http://www.artplacement.com/gallery/about.php

Artists Dawna Rose (left) and Betsy Rosenwald (right).
Photo credit: Linda Duvall

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Multi-Artist Exhibition: Winter
Feb
1
to 10 Mar

Multi-Artist Exhibition: Winter

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New exhibition now open at Art Placement Gallery in Saskatoon.

Multi-Artist Exhibition: Winter
February 1 - March 10, 2022

Visit the gallery to view this exhibition at 238-3rd Avenue S in Saskatoon, Tuesday to Saturday, 9:00 a.m. until 5:30 p.m.

Art Placement is pleased to present our first exhibition of the year, bringing together a selection of works with a “wintery” sensibility. Exploring a variety of subjects, from understated still-lifes to snow-covered landscapes, the artists are united in their ability to find beauty in starkness and simplicity. Through muted palettes, somber tones, and elegantly reduced compositions, the works capture the qualities of emptiness and solitude that characterize the melancholic mood of Saskatchewan’s winter months.

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Rebecca Perehudoff: Vivid Strokes
Dec
4
to 13 Jan

Rebecca Perehudoff: Vivid Strokes

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Rebecca Perehudoff: Vivid Strokes
Reception: Saturday, December 11, 1-4pm
December 4, 2021 - January 13, 2022

Art Placement is pleased to present Rebecca Perehudoff’s most recent exhibition, showcasing a selection of new landscapes in acrylic. Her paintings present a variety of subjects: classic prairie skies and rippling shoreline reflections, as well as less conventional views: dense forest treelines that become almost abstract in their all-over patterning, and road signs jarringly juxtaposed against otherwise picturesque scenes. Throughout the collection of new works, the signature elements of Perehudoff’s style—intense colours, strong contrasts, bold gestural strokes, and richly textured surfaces—are on full display.

Rebecca Perehudoff was born in Saskatoon and resides in Chicago. She studied art at the School of the Art Institute of Chicago and the College of DuPage, later obtaining a Master of Arts in Art Therapy at the University of Illinois. From the late 1970s until the closure of the Kenderdine Campus in 2012, she was also a frequent participant in the Emma Lake Artists’ Workshops. She has exhibited her work for nearly four decades and her paintings can be found in numerous public, private, and corporate collections in Canada and abroad.

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Lorenzo Dupuis & Clint Hunker: Quiet
Oct
23
to 2 Dec

Lorenzo Dupuis & Clint Hunker: Quiet

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LORENZO DUPUIS & CLINT HUNKER - Quiet

Art Placement is pleased to present Quiet, a two-person exhibition bringing together the works of Lorenzo Dupuis and Clint Hunker. A calming, understated, and contemplative presence unites Hunker and Dupuis’ work. Though the results of each artist’s efforts in the studio are unique and distinct, their intentions are kindred. A version of this exhibition was first presented at the Humboldt and District Museum & Art Gallery in January 2021.

Clint Hunker was born in Regina. He studied at the University of Victoria and the University of Saskatchewan, where he has been a sessional lecturer since 1987. He has exhibited extensively across Western Canada since the late 1970s and his work can be found in numerous public and private collections.

Lorenzo Dupuis was born in Prince Albert. He studied art at the University of Saskatchewan, completing an MFA in 1995. Beginning in the early 1980s, he was a frequent participant in the Emma Lake Artists’ Workshops. He has exhibited across the country since the 1970s and his work can be found in many public and private collections.

Lorenzo Dupuis, "From One Valley To Another # 8", 2021, egg tempera on panel, 20" x 25", $1,825.00 Framed CDN (+ taxes)

Clint Hunker, "Untitled", 2020, Oil on linen, 17" x 21", $1,775.00 Framed CDN (+ taxes)

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Zachari Logan - Meditations (Flora)
Oct
23
to 2 Dec

Zachari Logan - Meditations (Flora)

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ZACHARI LOGAN - Meditations (Flora)
Reception: TBA
October 23 - December 2
Art Placement is pleased to work with Zachari Logan to present the exhibition Meditations (Flora). Unveiling a brand new selection of works on paper, the delicate drawings offer dream-like visions of plant life, skilfully rendered by the acclaimed Saskatoon-born artist.

Canadian artist Zachari Logan works mainly with large-scale drawing, ceramics and installation practices, evolving a visual language that explores intersections between identity, memory and place. Logan has exhibited widely throughout North America, Europe and Asia and is found in private and public collections worldwide, including; National Gallery of Canada, Art Gallery of Ontario, Remai Modern, McMichael Canadian Art Collection, Leslie-Lohman Museum, 21cMuseums Hotel Collection, Thetis Foundation and the Nerman MOCA, among others. Logan has attended many residencies; including Vienna's Museums Quartier, ISCP in Brooklyn, WaveHill Gardens (Bronx) and the Tom Thomson Shack at the McMichael Gallery. Logan has worked collaboratively with several celebrated artists, including Ross Bleckner and Sophie Calle and his work has been featured in many publications worldwide.

Zachari Logan’s work is also currently showcased in Saskatoon in a solo exhibition at Remai Modern, which opened August 21, 2021 and continues to January 9, 2022. Click here for more information about Logan's exhibition, Ghost Meadows, at Remai Modern.

Zachari Logan, "Organ No. 1", 2021, coloured pencil, graphite on pink paper, 15 3/4" x 11 3/4", $2,000.00 Framed CDN (+ taxes)

Zachari Logan, "Astral No. 1, (Fantasy Flower Series)", 2021, acrylic on wood panel, 18" x 24", $10,000.00 Unframed CDN (+ taxes)

Zachari Logan, "Ghost Flower No. 1", 2021, pastel, graphite on green paper, 15 5/8" x 8 1/2", $2,100.00 Framed CDN (+ taxes)

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Jonathan Forrest: Painter's Prerogative
Sep
16
to 21 Oct

Jonathan Forrest: Painter's Prerogative

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Jonathan Forrest: Painter’s Preogative

Reception: September 16, from 6:00pm to 8:00pm

Visit the gallery at 238 3rd Avenue S, Saskatoon to view the show, featuring recent small-scale work on canvas and paper by abstract painter Jonathan Forrest. Over the course of nearly four decades, Forrest has established a national reputation for his unique and continuously evolving approach to abstraction. Throughout the breadth of his production, which is paradoxically notable for its variety as well as its cohesiveness, one element remains constant: his passion for the medium of paint.

Jonathan Forrest, “Side by Side”, 2021, acrylic on canvas, 32x24”

Jonathan Forrest, “Side by Side”, 2021, acrylic on canvas, 32x24”

Jonathan Forrest, “Walk in the Park”, 2021, acrylic on canvas, 32x24”

Jonathan Forrest, “Walk in the Park”, 2021, acrylic on canvas, 32x24”

Jonathan Forrest, “Comedians”, 2021, acrylic on paper, 30.125x22”

Jonathan Forrest, “Comedians”, 2021, acrylic on paper, 30.125x22”

Jonathan Forrest, “Let’s Get Blue”, 2021, acrylic on canvas, 32x24”

Jonathan Forrest, “Let’s Get Blue”, 2021, acrylic on canvas, 32x24”

For a painter, few things are more enchanting than paint. Art historian James Elkins called it their “life’s blood”. The act of painting--the brushing, smearing, pushing, scraping, and pulling of coloured mud across a two-dimensional surface--is a tactile, physical process that is also psychic, sensual, sensational; an experience of both the hand (body) and the mind. It is, to borrow another phrase from Elkins, “liquid thought”. It is fluid, mercurial, unstable, alchemical potential offering limitless possibilities. It is unlike any other medium, a fact that Forrest, like all painters, knows intimately.

Jonathan Forrest was born in Edinburgh, Scotland and grew up on the Canadian prairies. He divides his studio time between Vancouver Island and small-town Saskatchewan. He has exhibited extensively in Canada and abroad and his work can be found in numerous public and private collections. His upcoming exhibition at Art Placement coincides with a mid-career survey on view at Art Gallery of Swift Current from September 11th to October 30th. Click here for more information about the exhibition in Swift Current.

You can also view the full exhibition online at http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=265.

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Golden Hour
Sep
1
to 12 Sep

Golden Hour

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GOLDEN HOUR - hosted by BlackFlash Magazine
Reception: Thursday, September 2 from 6:00-10:00PM
September 1 - 12
Golden Hour is a thoughtfully curated selection of contemporary artworks that highlight the unique practices of Canadian artists working today. Each participating artist’s practice has been shaped and inspired by the Prairies, inciting an exciting forum for new voices and cross-generational conversations. Through this exhibition, we hope to bring the public closer to their local art community and increase the visibility of the incredible artists that reside there.

Artworks will be on view from September 1-12 both virtually and in-person at The GALLERY/Art Placement in beautiful downtown Saskatoon. To arrange a curatorial tour, please contact Maxine Proctor at editor@blackflash.ca.

Featured artists: Amalie Atkins, Liz Ikiriko, Marie Lannoo, Julie Oh, Zoe Schneider, Sandra Semchuk, Farihah Aliyah Shah, Maia Stark, Adrian Stimson, Shellie Zhang

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