Filtering by: Art Placement/The Gallery
Clint Hunker: About a Lake
Dec
1
to Jan 10

Clint Hunker: About a Lake

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Reception: Saturday, December 1, 2PM

Art Placement is pleased to present the exhibition, About a Lake, showcasing the latest suite of landscape paintings and drawings by Clint Hunker. Since the age of 16, Hunker has painted and drawn the Saskatchewan landscape. Following in the footsteps of notable prairie artists like Reta Cowley and Augustus Kenderdine among others, he is a field painter who works predominantly on site with nature serving as both his inspiration and studio. His paintings, in the tradition of the great impressionist masters, are characterized by their focus on light, the subtleties of colour, and loose yet precisely placed brushstrokes. Quiet and contemplative, each painting is a meditation on solitude, silence, and beauty within the prairie landscape.

In this latest series of paintings, Hunker has focused his attention on lakes of the grasslands and prairie regions of the province, a subject often neglected, as he notes:

"Knowing a place is key to my working process for the present. In the past prairie lakes have been looked down upon as weedy or alkali, glorified sloughs, to be blocked, dammed, or shored up to contain precious water. They have none of the romance of northern lakes with their clear water and rocky shorelines. Watching a boulder bare itself as water recedes from May to October, boats and storms all have a beauty and poetry that demonstrates the rhythm of the seasons. These paintings are about this experience. They are not formal challenges only and are not simply emotionally driven but both, as much about the past as the present."

Clint Hunker was born in Saskatoon. He studied art at the University of Victoria, completing an MFA at the University of Saskatchewan where he has remained a lecturer in painting and drawing since 1987. His works have been presented in group and solo exhibitions in Western Canada since the late 1970s and can be found in private, corporate, and public collections at home and abroad.

 Clint Hunker, "Blues and Haze", 2018, Oil on linen, 11" x 14"

Clint Hunker, "Blues and Haze", 2018, Oil on linen, 11" x 14"

 Clint Hunker, "Waves from the Shallows", 2018, Oil on linen, 11" x 14"

Clint Hunker, "Waves from the Shallows", 2018, Oil on linen, 11" x 14"

 Clint Hunker, "Evening, Cold Storm", 2018, Oil on linen, 11" x 15"

Clint Hunker, "Evening, Cold Storm", 2018, Oil on linen, 11" x 15"

 Clint Hunker, "After Harvest, Slough Road", 2018, Oil on linen, 10" x 13"

Clint Hunker, "After Harvest, Slough Road", 2018, Oil on linen, 10" x 13"

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Louise Cook: A Painted Diary 1985-2018
Oct
20
to Nov 29

Louise Cook: A Painted Diary 1985-2018

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Reception: Saturday, October 20, 2PM

Art Placement is delighted to present the exhibition, A Painted Diary, surveying more than three decades of Louise Cook’s landscape painting. Cook’s work debuted in Saskatoon at the Mendel Art Gallery in 1973 and she has exhibited with Art Placement since 1985. Contributing to Saskatchewan’s strong tradition of landscape painting, Cook’s unique vision of the ever-changing prairies and boreal forests of the province remains rooted in direct observation, capturing the essence of place as it is experienced firsthand. Throughout the decades, she has had the opportunity to paint numerous far-flung corners of Saskatchewan’s wilderness, while also returning regularly to a handful of favourite locales. As such, the exhibition offers both a snapshot of the diversity of the province’s terrain, as well as intense focus on familiar locations with careful attention to the subtleties of time and place.

Louise Cook is originally from the small northern community of Fir Ridge. Her paintings of the Saskatchewan landscape have been exhibited across Western Canada and can be found in numerous private, public, and corporate collections at home and abroad.

 Louise Cook, "Northern Point", LC464 c. 2008, Oil on Matboard, 7-3/4" x 10-3/4"

Louise Cook, "Northern Point", LC464
c. 2008, Oil on Matboard, 7-3/4" x 10-3/4"

 Louise Cook, "Light Breaking Through", LC414 2003, Oil on canvas, 26 x 34 1/2"

Louise Cook, "Light Breaking Through", LC414
2003, Oil on canvas, 26 x 34 1/2"

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Robert Christie: Continuous Exploration
Sep
8
to Oct 18

Robert Christie: Continuous Exploration

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Reception: Saturday, September 8, 2PM

Art Placement is pleased to present this exhibition of Robert Christie’s most recent paintings and painted constructions. For nearly fifty years, Christie has steadfastly explored a range of possibilities within the arena of abstract painting. Throughout these five decades and continuing to this day, his studio remains a testing ground for visual experimentation and aesthetic exploration, with an unwavering and unifying interest in colour, surface, form, and composition. The diverse selection of recent works are at once minimal and complex; clean and modern with reduced forms and monochromatic colour, combined with surfaces that are intensely worked, richly layered, and luxuriously textured. 

Robert Christie lives and works in Saskatoon, where he has contributed to the arts for fifty years as a writer, critic, curator, gallerist, and artist. He has exhibited locally, nationally, and internationally since the late 1960s and his work can be found in numerous private and public collections throughout Canada and abroad, including a recent acquisition by Remai Modern in 2017.

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40 Years: The GALLERY / art placement inc.
Aug
4
to Sep 6

40 Years: The GALLERY / art placement inc.

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Reception: Saturday, August 4th, 2PM
August 4 - September 6

40 Years in a single exhibition, showcasing the past and present of Saskatoon's most enduring commercial gallery. Featuring select works by notable gallery artists as well as special guest artists that are in some way woven into the gallery’s history.

Featuring works by Douglas Bentham, Robert Christie, Heather Cline, Louise Cook, Reta Cowley, Ruth Cuthand, Jordan Danchilla, Lorenzo Dupuis, Terry Fenton, Cameron Forbes, Jonathan Forrest, Kelly Goerzen, Lynne Graham, Gregory Hardy, Clint Hunker, Dorothy Knowles, Rodney Konopaki and Rhonda Neufeld, Steph Krawchuk, Sandra Ledingham, Ernest Lindner, Nancy Lowry, Thelma Pepper, Catherine Perehudoff, Rebecca Perehudoff, William Perehudoff, Alicia Popoff, Leslie Potter, Ian Rawlinson, Dawna Rose, Lorna Russell, Allen Sapp, Pat Service and guest artists David Alexander, Kristin Bjornerud, Clay Ellis, Marie Lannoo, Grant McConnell, and Otto Rogers.

 William Perehudoff, "AC-72-39", 1972, Acrylic on canvas, 40" x 48 1/2"

William Perehudoff, "AC-72-39", 1972, Acrylic on canvas, 40" x 48 1/2"

 Clay Ellis, "Pearlies Plus", 2011-2017, Acrylic, nylon and aluminum, 34" x 34"

Clay Ellis, "Pearlies Plus", 2011-2017, Acrylic, nylon and aluminum, 34" x 34"

 Ruth Cuthand, "Reserving: Smallpox" 2018, Glass beads, thread, backing, 18" x 18"

Ruth Cuthand, "Reserving: Smallpox" 2018, Glass beads, thread, backing, 18" x 18"

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figureground
Jun
23
to Aug 2

figureground

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Reception: To Be Announced
June 23 - August 2

Figurative art abounds throughout the art historical record, remaining central within the Western canon until at least the beginning of the twentieth century. Even today there are numerous artists working with the human form. In Saskatoon, a city with an artistic legacy largely defined by other genres and movements, a small but vital community of painters nevertheless continues to nurture the figurative tradition. Their work converses with historical precedents, contemporary developments, and the particular conditions and histories of the local context. The result is a unique snapshot of an enduring yet continuously evolving tradition.

 Riisa Gundesen, "Woman at her Toilette", RG002 2018, Oil on canvas, 41 1/4" x 53", $2,000.00  Unframed   CDN  (+ taxes)

Riisa Gundesen, "Woman at her Toilette", RG002
2018, Oil on canvas, 41 1/4" x 53", $2,000.00  Unframed   CDN  (+ taxes)

 Riisa Gundesen, "Blue Period", RG001 2018, Oil on canvas, 61" x 45 1/4", $2,400.00  Unframed   CDN  (+ taxes)

Riisa Gundesen, "Blue Period", RG001
2018, Oil on canvas, 61" x 45 1/4", $2,400.00  Unframed   CDN  (+ taxes)

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May
12
to Jun 21

JENNIFER CRANE - Reverie in Darkness

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Opening: Saturday, May 12th, 2PM
Exhibition runs: May 12 - June 21

Art Placement is pleased to present Reverie in Darkness, Jennifer Crane's first solo exhibition with the gallery. Crane is an artist based in Saskatoon whose work investigates the relationship between the body and the lens in both historical and contemporary photography. For two decades she has been exhibiting her work in solo and group exhibitions in galleries throughout Canada and in the United States, China, Colombia, Germany, and Eastern Europe. 

Reverie in Darkness

The same century invented History and Photography - Roland Barthes

In conventional analogue photography it is light that creates the dark tones of an image. I often marvel at the many paradoxes of the photographic medium, in particular at how it communicates. The title of the exhibition refers to the experience of making photographs in darkrooms under red safe lights and the dark places that creative exploration can take you - following intuitive impulses while recognizing your failures. The word “photography” means drawing with light and the medium itself was invented in the 19th century through a series of chemical mishaps and trial and error. The title of the exhibition Reverie in Darkness also refers to Plato’s allegory of the cave -- referenced by Susan Sontag in her essay In Plato’s Cave -- that humans are like prisoners trapped in a cave understanding the world only through shadowy figures projected on the cave wall.

As a photographic artist I’m not interested in using my camera to document things in the world but rather to experiment and explore the gaps, both physical and metaphorical, that reside between perception and reality, fiction and actuality.

The exhibition presents selections from three bodies of my recent work: Outlaw (and other failed portraits) [2016-18], Dear Edward [2009-10]and Specter [2017-18]. Each body of work is distinct both in conceptual approach and process of making the images.

- Jennifer Crane, 2018

 Jennifer Crane, "Untitled from the series "Outlaw" 1/5", JCR027 2015, Archival pigment print from wet plate collodion original, 22" x 17"

Jennifer Crane, "Untitled from the series "Outlaw" 1/5", JCR027
2015, Archival pigment print from wet plate collodion original, 22" x 17"

 Jennifer Crane, "Untitled from the series "Outlaw" 1/3", 2015, Archival pigment print from wet plate collodion original, 30" x 24"

Jennifer Crane, "Untitled from the series "Outlaw" 1/3", 2015, Archival pigment print from wet plate collodion original, 30" x 24"

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 DAWNA ROSE and BETSY ROSENWALD - Our Enduring Drama
Mar
31
to May 10

DAWNA ROSE and BETSY ROSENWALD - Our Enduring Drama

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Reception: Saturday, March 31, 2pm
March 31 - May 10
Art Placement is pleased to present an exhibition of recent paintings and drawings by Saskatoon artists Dawna Rose and Betsy Rosenwald, whose varied works highlight a decidedly contemporary ambivalence toward the practice of image-making.

Each artist makes personal, idiosyncratic paintings that weave between figuration and abstraction, following a process that begins as a mark and proceeds as a considered series of responses and decisions. Both start with an intention and find themselves somewhere else more interesting and less defined than that beginning. Their approach to materials is equally respectful of tradition and experimentation, incorporating oil paint with drawing and water media, wax, collage, scraping, sanding, layering, and erasure. These pictorial strategies, application techniques, and use of varying degrees of abstraction obscure and often deny any straightforward reading of narrative. While subject and meaning may be merely inferred or hidden altogether, each work stands as a record of struggle with and commitment to the practice of painting.

 Dawna Rose, "The Americans", DR037 2018, Oil on Stonehenge, 38" x 50", $750.00  Unframed   CDN  (+ taxes)

Dawna Rose, "The Americans", DR037
2018, Oil on Stonehenge, 38" x 50", $750.00  Unframed   CDN  (+ taxes)

 Dawna Rose, "Selling Snowballs", DR036 2018, Oil on Stonehenge, 38" x 50", $750.00 Unframed CDN  (+ taxes)

Dawna Rose, "Selling Snowballs", DR036
2018, Oil on Stonehenge, 38" x 50", $750.00 Unframed CDN  (+ taxes)

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Art For Sale: Art Gallery of Swift Current
Mar
3
to Apr 22

Art For Sale: Art Gallery of Swift Current

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Art Talk on Friday March 16th – Reception 7 to 10 p.m. – Talk at 7:30 p.m. 
Commercial Gallery Owners and Artists will be speaking.
Admission is Free.

This exhibition features artists represented by The Gallery / Art Placement of Saskatoon and The Slate Fine Art Gallery of Regina.

Commercial galleries and artwork sales are important to sustaining the arts ecology in our time. Commercial galleries serve the public by providing access to artwork for private ownership and use in a home or business space. A commercial gallery serves the artist by presenting their artwork publicly. They nurture an audience and buyers for the artist’s work, helping to sustain an artist’s practice and building credibility for their art expression.

In the public Art Gallery of Swift Current exhibition titled “Art for Sale”, we examine two major Saskatchewan commercial galleries including The Gallery / Art Placement of Saskatoon – now celebrating its 40th year of service – and The Slate Fine Art Gallery of Regina, established only a few years ago. This exhibition will introduce us to the major artists, newly established artists, and emerging artists of Saskatchewan represented by these galleries. See fine artworks which are for sale and learn how to buy an artwork and why we should and also better appreciate the quality of fine artwork and professionalism offered by commercial galleries.

Please note the Gallery will be closed Wednesday afternoons due to the Minds in Motion program, from February 7 to March 28, 2018.

 Art Placement Gallery, Saskatoon

Art Placement Gallery, Saskatoon

 Slate Fine Art Gallery, Regina

Slate Fine Art Gallery, Regina

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Upon a Flower: Group Show
Feb
24
to Mar 29

Upon a Flower: Group Show

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Reception: coffee and tea reception: Saturday, March 3rd, 2PM

With spring just around the corner, Art Placement is pleased to present a group exhibition of florals in a range of media including painting, drawing, and photography. Gallery artists and invited guests approach flowers from a variety of positions: as aesthetic subjects, as a jumping-off point for explorations into materials and abstraction, and as symbolic objects relating to themes of life, creativity, death, and renewal. Featuring works by Louise Cook, Reta Cowley, Dorothy Knowles, Joanne Lyons, Alicia Popoff, and Laura St. Pierre.

 Dorothy Knowles, "Untitled", 1996, Watercolour on paper, 30" x 22"

Dorothy Knowles, "Untitled", 1996, Watercolour on paper, 30" x 22"

 Reta Cowley, "Untitled (Roses)", 1975, Watercolour on paper, 14 5/8" x 16 1/2"

Reta Cowley, "Untitled (Roses)", 1975, Watercolour on paper, 14 5/8" x 16 1/2"

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Michel Boutin: Afterglow
Jan
27
to Feb 22

Michel Boutin: Afterglow

MICHEL BOUTIN - Afterglow
January 27 - February 22
Art Placement is pleased to host an exhibition of paintings by interdisciplinary artist Michel Boutin, presented by Regina's Sâkêwêwak Artist Collective as part of their annual Storyteller's Festival. Click the image to learn more.

Afterglow

The tradition of Western Landscape painting can be traced to late 17th century Britain. This "Age of Enlightenment" initiated science and rational thought as the governors of the "New Society." The Royal Society of London described nature as a machine and man as its engineer. Landscape paintings became a way for patron landowners to exhibit their dominion over land and nature. 

During the romantic period of the 19th century the landscape became allegory. Early modernist painters began to utilize landscape painting as an armature for abstraction. 

The works in this exhibition also utilize landscape as an armature for abstraction. Not of light but of place. Not of image but of essence.

Each work attempts to capture the essence of landscape painting overlaid with an echo of what has come before...of what could be again. They reference past, present and future simultaneously. Like a graffiti artist would mark a wall, or a cartographer a map, the skies become the ground for images left as trace, a sense of being beyond and without the human. 

They are part of a series of works investigating the relationship between real and constructed ideas of time and place. They are meant to stimulate our subconscious understanding of the infinite as the afterglow of the finite.

-Michel Boutin

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 Michel Boutin, "Frog", 2015, enamel on canvas, 38 x 33 in.

Michel Boutin, "Frog", 2015, enamel on canvas, 38 x 33 in.

 Michel Boutin, "Whole Earth", 2009, enamel on canvas, 36 x 30 in.

Michel Boutin, "Whole Earth", 2009, enamel on canvas, 36 x 30 in.

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Year End Group Show: Art Placement
Dec
2
to Jan 25

Year End Group Show: Art Placement

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Art Placement is pleased to present a group exhibition to finish off the year, including select works fresh from a variety of artist's studios, as well as some hidden treasures from the racks. Featuring new landscape paintings by Rebecca Perehudoff, a series of expressionistic abstract-figurative works by Leesa Streifler and introducing sculptural works in plaster and soapstone by Cecilia Cote.

Coffee reception: Saturday, December 2, 2:00pm

 Cecilia J. Cote, "Ode to Henry", 2011, Plaster, 6 3/4" x 6 3/4" x 5 1/4"

Cecilia J. Cote, "Ode to Henry", 2011, Plaster, 6 3/4" x 6 3/4" x 5 1/4"

 Leesa Streifler, "held", 2017, Acrylic on canvas, 40" x 30"

Leesa Streifler, "held", 2017, Acrylic on canvas, 40" x 30"

 Rebecca Perehudoff, "Calm Water 17",2017, Acrylic on canvas, 36" x 72"

Rebecca Perehudoff, "Calm Water 17",2017, Acrylic on canvas, 36" x 72"

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